#Mullum Malarum

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The movie mullum malarum is all abt on the heavens discourse by Aristotle, the trolley appearing is the locomotive mentioned is earthly up-down movement, the characters represent four realms: Kumaran, Manga, Kali & Murugesan.

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Veteran actor Sarath Babu passes away - News Today

[] Veteran actor Sarath Babu passed away at a private hospital in Hyderabad due to age-related ailments. Been in the industry for over three decades, he shared screen with Rajinkanth in movies like Mullum Malarum,  Velaikaaran, Muthu, Annamalai besides Salangai Oli, Sattam alongside Kamal Haasan.Sarath Babu began his acting career in 1973 with the Telugu film ‘Rama Rajyam’. He is known…

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Mullum Malarum (1978) reference in Soorarai Pottru (2020)

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About Movie ‘Mullum Malarum’

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Print to celluloid: From 'Kalvanin Kadhali' and 'Mullum Malaram' to 'Ponniyin Selvan'

Print to celluloid: From ‘Kalvanin Kadhali’ and ‘Mullum Malaram’ to ‘Ponniyin Selvan’

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News about Kalki’s magnum opus, Ponniyin Selvan being made into a film by none other than Mani Ratnam provided food for this writer’s thoughts. So many Tamil novels have been turned into films, many meeting with success, some falling by the wayside.

The visual may convey in a minute what two pages of writing does but what comes across as interesting or absorbing while reading may fall…

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Why ‘Eternal Sunshine of the Spotless Mind’ left a lasting impact on Balaji Tharaneetharan

Why ‘Eternal Sunshine of the Spotless Mind’ left a lasting impact on Balaji Tharaneetharan

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Filmmaker Balaji Tharaneetharan has been utilising this lockdown to write short stories on his blog, in addition to working on his next script, which is a light-hearted movie. For this week’s Watchlist, he shares a list of movies that left an impact on him

Mullum Malarum (1978)

What is fascinating even today is how balanced the storytelling is and the way Mahendran sir etched his…

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Why ‘Eternal Sunshine of the Spotless Mind’ left a lasting impact on Balaji Tharaneetharan

Why ‘Eternal Sunshine of the Spotless Mind’ left a lasting impact on Balaji Tharaneetharan

Filmmaker Balaji Tharaneetharan has been utilising this lockdown to write down brief tales on his weblog, along with engaged on his subsequent script, which is a light-hearted film. For this week’s Watchlist, he shares an inventory of films that left an affect on him

Mullum Malarum (1978)

What’s fascinating even in the present day is how balanced the storytelling is and the best way…

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5 Filmmaking Tropes of Mahendran

An edited version of this article has been published on Film Companion.

Name : J Mahendran Original name : Alexander Skills : Director, Screenwriter, Film critic Language : Tamil Active Since : 1966 Favourite Genre : Drama Biggest hits : Mullum Malarum (1978), Uthiripookkal (1979), Nenjathai Killathe (1980)

Like Francois Truffaut, Mahendran started out as a film critic. His reviews of Tamil films for magazines like Thuglak were scathing. He went on to write screenplays and dialogues for several hit films, starring Sivaji Ganesan and MG Ramachandran, before making his directorial debut with Mullum Malarum (A Thorn and a Flower, 1978). Mahendran took ample inspiration from literature for his screenplays. 10 out of the 12 films he directed have been adapted from literary works by Tamil writers. Being an avid fan of Satyajit Ray, his films portray villages, cities and characters as they are without romanticizing or passing judgements.

His Best Work

Uthiripookkal (Unstrung Flowers), 1979

Adapted from Sittrannai (Stepmother), written by Pudhumaipithan, Uthiripookkal is the story of Sundaravadivelu, a sadistic manager of a village school and his desire to marry his wife’s sister. The film lures you gently into the rhythms of village life before it unleashes drama, through the actions of Sundaravadivelu to attain his goal. It has one of the most understated yet haunting antagonists of Tamil cinema.

Poottadha Poottukkal (Locks that don’t lock), 1980

Adapted from the short story Uravugal (Relations) by writer Ponneelan, this film focuses on the fissures in a married couple’s relationship when they can’t have a child. The wife falls for a young man, who gives her attention and the drama that unfolds forms the rest of the story. It’s a subtle meditation on how the human mind works in relationships and how the invisible forces of societal expectations weigh down heavily on married men and women.

Mullum Malarum (A Thorn and a Flower), 1978

Mahendran began reading a novel by Umachandran, set it aside halfway through and wrote this film’s screenplay. It’s about a brother and a sister in a village, who’re orphans. The brother, Kaali, works as a winch operator at a power plant. His relationship with his supervisor is strained from the beginning and their skirmishes lead to him losing his left hand. This was one of the first films in which Rajinikanth, who had done negative roles until then, played the protagonist. Mullum Malarum, Johnny (1980) and Kai Kodukkum Kai (1984) are 3 Mahendran films that provide a glimpse of a Rajinikanth devoid of the larger-than-life image that he’s known for today.

Trivia: This film was later remade in Hindi as Pyaari Behna (1985) with Mithun Chakraborty playing Rajini’s role.

5 Filmmaking Tropes of Mahendran

Sharp storytelling

During his days as a critic, Mahendran slammed Tamil movies for being ‘talkies’ rather than cinema. He abhorred melodrama and the monologue. So the first thing that strikes you about his films is his precision with words and images. The words and their understated tone maintain the drama at a realistic pitch. A character might be bursting with anger but in a Mahendran film, all you’ll hear is a single line spoken calmly.

Take for instance, the scene in Uthiripookkal that introduces a couple. The husband is seated at home eating his lunch, while the wife stands nearby. He bites into a pebble while chewing and his face contorts. He glowers at his silent wife and says, “Can’t you be careful while cooking?” The entire bitterness of their relationship is packed into that single line and his contorted face.

Mysskin revealed in an interview with Baradwaj Rangan that he considers the opening shot of his film to be critical. The opening shot dictates the shots that follow. Likewise, Mahendran establishes his film’s theme visually within the first five minutes. The opening title sequences of Nenjathai Killathey (Don’t Pinch My Heart, 1980), show Suhasini jogging through city streets shrouded in mist. The film is about her running to and fro in relationships.

The opening shot of Metti (Toe Ring, 1982), shows two daughters waking up, admiring their mother’s toe ring as she walks towards them. The film is about their yearning to wear the toe ring and how it shackles their lives. In Mullum Malarum, Kaali’s resentment against authority is established within a single minute in this scene. He feels the same resentment later against his superior officer.

Nature & rhythms of life

When asked what kind of literature he liked, this was Mahendran’s reply. “It’s filled with limitless beauty, countless wonders and mysteries that man is yet to decode. It nourishes mankind and all living organisms. Nature is the best literature.” You’ll find his love of nature woven into the fabric of every film he made. In Poottadha Poottukkal, cats purr on a sleepless night as a couple mutely stare at each other. A barber in Johnny lives and sleeps amidst animals and plants. A popular song from Mullum Malarum has a man singing of the breeze that played on a pandan flower and washed over him, its scent creating the illusion of a woman.

Mahendran has a keen eye for observing life and capturing its details with precision. The lines his characters speak sound real. A village woman bargaining with a cloth seller in Uthiripookkal, remarks, “Give us a good price. Don’t try to cover your daughter’s wedding costs by selling us this saree!” A fight in Mullum Malarum that churns up dust, with mediators and silent onlookers takes place without the accompaniment of the typical “dishoom dishoom” of the 80s. And even if it’s an urban setting, he captures its spirit well in films like Nenjathai Killathey.

Ripple architecture

The supporting characters and songs in every Mahendran film echo its main theme. In Uthiripookkal, that explores a man’s sadism and lust, there’s a lunatic, who pesters people to read out a letter from his runaway wife. And an old woman sings a song, during an engagement, with the fond memory of her dead husband. In Poottadha Poottukkal, that plunges into the darker crevices of marriages, almost every other male character ogles at women, including an adopted child who’s a peeping tom. In Nenjathai Killathey, a story about finding love and companionship, he has a comic character in his 40s who’s still single.

Metti, a commentary on the institution of marriage, has a playful song, Kalyanam ennai mudikka (In order to marry me). A woman lays down her conditions for marriage like wanting the groom to play the nadaswaram and the marriage ceremony to take place on a moving train with foreigners chanting hymns! Johnny’s protagonist is a thief for whom stealing is an emotional burden and the release he finds in a singer’s voice is succinctly expressed in this song.

These characters and songs aren’t sprinkled to make the film more interesting. They’re deliberate choices that grow organically out of the film’s theme. He lays out these characters and songs in concentric circles echoing the film’s core, like ripples in water.

Submerged Symbols

On the surface, having Kaali as a winch operator in Mullum Malarum adds a touch of realism. But, looking closely at how Kaali’s relationship with his superior slides steadily downhill, you realise that perhaps the winch is a symbol. There’s a scene that shows Kaali playing uriyadi, the traditional game of hitting a moving target with a stick while people hurl water at him. In a way, that’s a visual summary of Kaali’s life. He grew up as an orphan fighting against the society and taking care of his sister all by himself. He bears a boiling resentment against people in power, since their position is always out of his reach, just like the moving target.

In the splendid climax of Uthiripookkal, it’s only the men of the village who gather and force the antagonist to drown himself in the river. There’s no woman to be seen. The villain is a demon who represents the filth in the hearts of all men and the climax is a call to destroy that demon, so that we can move on as a society and live a better life. Seen this way, Uthiripookkal is a much larger film than simply the tale of a solitary sadist and how he meets his end.

Likewise the toe ring in Metti and a poster in Nenjathai Killathey depicting children dressed up as a couple are symbols that make a bigger point. The good thing about Mahendran’s films is that you can enjoy them without really bothering about these symbols or what they signify. But, when you watch his films closely and look beneath the surface, you’re sure to relish them even more and inch closer to their underlying themes.

Silence

Mahendran loves to begin a scene in the middle of a conversation and linger on the characters during uncomfortable pauses. A classic example is a night panchayat scene from Uthiripookkal. The entire village is gathered to debate the villain’s atrocities. His wife weeps silently and we get closeups of a lot of faces. The only sound you hear is the unconsoled wail of a child in the background.

During an emotional moment in Metti, when a character’s mother dies, she’s seen sitting on the floor and sobbing in an empty space surrounded by flowers. That’s the emptiness left behind after her mother’s body has been carried away. Mani Ratnam, who later became known for such powerfully visual moments, can be seen as carrying forth the torch of silence from Mahendran’s hands.

Mahendran once remarked, “Ilaiyaraja wrote the dialogues for my silent scenes. He should be credited as my co-writer!” It’s exhilarating to study the musical themes that Ilaiyaraja develops for various characters and subplots in each film. In Uthiripookkal, for instance, there’s a theme for the antagonist’s desire for his sister-in-law, a theme for the innocence of his children and a theme for the unspoken desires of his wife. And there’s silence in his songs too. ‘Senorita I love you’ shows a couple play-acting as husband and wife. Later in the film, the girl ditches the guy for someone else. So there was never any love between them. Everything was make-believe, just like their silent mimes.

In conclusion

The great thing about watching Mahendran films is that a specific character, a specific line or a specific visual is bound to stick in your mind and not leave you. You can revisit his films at a later stage in your life and you’ll get new insights. It happens because his films don’t have a planned architecture to achieve an intended effect. They’re complex, organic growths that mirror real life and so each time you enter them, you’ll spot something new that’s sprouted under your feet.

“We must learn cinema from the people around us. It’s important to express naturalism with an aesthetic sense. One doesn’t need to rack one’s brains for aesthetics. If you look through the eyes of people around you, you can acquire an aesthetic sense naturally.” This is Mahendran’s cinema in a nutshell - real characters in their natural habitats, their natural behaviours, their emotions, their interactions, captured through an aesthetic lens that doesn’t judge.

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Rajinikanth, an Asset of Tamil Cinema Who Proved That an Action Hero Can Also be a Good Comedian

Rajinikanth, an Asset of Tamil Cinema Who Proved That an Action Hero Can Also be a Good Comedian

“Cinema is my occupation. Part of my life. It’s not truthful that I exploit cinema to precise my emotions and insurance policies” – these have been the phrases uttered by megastar Rajinikanth as soon as. Rajini, an ‘out of the world’ actor, additionally proved himself as a gifted comic with the movie ‘Mullum Malarum’ in 1978. Apparently, late Director Rajashekar directed Rajinikanth in movies…

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Rajinikanth, an Asset of Tamil Cinema Who Proved That an Action Hero Can Also be a Good Comedian

Rajinikanth, an Asset of Tamil Cinema Who Proved That an Action Hero Can Also be a Good Comedian

“Cinema is my profession. A part of my life. It is not fair that I use cinema to express my feelings and policies” – these were the words uttered by megastar Rajinikanth once. Rajini, an ‘out of the world’ actor, also proved himself as a talented comedian with the film ‘Mullum Malarum’ in 1978. Apparently, late Director Rajashekar directed Rajinikanth in films like Thambi Entha Ooru,…

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Rajnikanth

https://superluckystore.com/2021/12/13/rajnikanth-short-biography/

Rajnikanth Mini Bio

Rajnikanth Was Born on 12 December 1950, Bangalore Mysore State, India. Rajinikanth has been a megastar in the Tamil movie assiduity since the 70s. He’s one of the loftiest earning actors in Asia. Primarily starring in Tamil pictures, he has also worked in Hindi, Telugu, Kannada, and American pictures. He was born in Bangalore (India), and was employed as a machine captain before he joined the Madras Film Institute. He made his debut in Katha Sangama (1975) and came a star with Apoorva Raagangal (1975).

His unique amusement style is characterized by trademark gestures similar as flipping a cigarette in the air and catching it with his mouth. He played varied places successfully and is considered as an actor who can fluently perform action, drama, and comedy. He’s not veritably popular for his dancing, which is considered a pivotal art for actors in Indian Pictures. His performances in pictures similar as, Mullum Malarum (1978) Aarilirunthu Arubathu Varai (1979), Johnny (1980) in the70’s and80’s to pictures similar as Kabali (2016) lately, are considered to be exemplifications of his acting capacities. His performances as an action-megastar overshadow his critically acclaimed performances in these pictures. The Government of India has fete him with the Padma Bhushan in 2000 and the Padma Vibhushan in 2016 for his benefactions to the trades. At the 45th International Film Festival of India (2014), he was conferred with the”Centenary Award for Indian Film Personality of the Time.

Shivaji Rao Gaekwad (Rajnikanth) was born on December 12, 1949 in Karnataka. He was a machine captain during which time he reportedly caught the fancy of the machine trippers with his erraticisms and style of issuing tickets and blowing the whoosh and so on. Looking to come an actor, he moved to Chennai and joined the film institute. It was then that he caught the eye ofK. Balachander, a director known for introducing talented, new faces into the Tamil film assiduity.

Balachander gave him a small part as the no-good hubby of Srividya in Aboorva Raagangal and the rest, as they say, is history. Rajnikanth soon graduated to playing villains and his style, swagger and casually unique brand of ill pledged the movie- going public. Be it the vicious hubby of Sujatha in Avargal (1977) or the wolf in lamb’s apparel in Moondru Mudichu (1976) or the lust- filled vill rumbustious in Bharathiraja’s 16 Vayadhinile, Rajnikanth was the villain the people loved to hate.

From then, it was a small step for Rajni, playing theanti-hero and eventually, the idol in Bhairavi. Rajnikanth forcefully captured the vacant, action- idol niche in Tamil pictures with a series of pictures where he routinely bashed up the bad guys who had done him injustice in one way or the other. Formerly in a while he did pictures like Aarulirundhu Arubadhu Varai or Johny which gave us casts of his acting eventuality. But action was what the suckers anticipated from a Rajni movie and action was what he gave them. He has been megastar for the once 25 times.

Rajnikanth Top 3 Fact Style Icon Spiritual nature in real- life Known for his uniquely stylized ways of dialogue delivery, performance, gestures, erraticisms, tricks, etc.

Important Information Tamil Superstar, worshiped like a god by his suckers. Despite being a megastar of Tamil pictures, he’s not Tamil. Father of Aishwarya Dhanush. Father of Soundarya Rajinikanth Vishagan. His mama- lingo is Marathi. Rajnikanth’s pictures after 1995 started running each over India, indeed outside southern countries and were dubbed in indigenous Indian languages and Hindi due to his fashionability each over India. Rajinikanth is popular in Japan. His 100th film was Sri Raghvendra, which was made in Tamil. Was Inked for Naseeruddin Shah’s part in Tahalka (1992). His song”Unnakum Ennakum”from Sri Raghavendra (1985) was tried by Black Eyed Peas in the song Elephunk. Starred in the shelved movie B.M.B. Productions Tu Hi Meri Zindagi” (1990). Starring Shammi Kapoor, Vinod Khanna, Rishi Kapoor, Sri Devi, Rajnikant, Music by Bappi Lahiri, Produced by Suresh Bokadia, Directed byK.C. Bokadia. In the film”Dharma Yuddam” released in 1979, a disco English song was mugged on Rajnikanth. Director Nagi Reddy wanted to launch Rajnjkanth in a Hindi film in 1981. The design sizzled out. Subhash Ghai wanted Rajnikanth for Karma. It was Anil Kapoor who induced Ghai to take Naseeruddin Shah. In 1982, Rajkumar Kohli inked Jeetendra and Rajnikanth for a film which was going to be a remake of a Kannada hit film. The design sizzled out. Actor Ranjan inked Amitabh Bachchan and Rajnikanth for a film in 1982. It was to be directed by Shyam Benegal. The film was ultimately remitted due to Amitabh’s accident. South Indian patron Veeraswamy had intentions of remaking the Kannada hit film Chakravuha in Hindi. He’d a trial showing for Prakash Mehra and told him he was planning to make the film in Hindi with Rajnikanth. This is when Prakash Mehra suggested he subscribe Amitabh for the film and increase the flicks mass appeal and price with distributors. Starred in the shelved film”Takrao” (1986). Starring Shatrughan Sinha, Rajnikanth, Anita Raaj, Amrish Puri, Prem Chopra, SushmaSeth.Produced by Raja Roy (Reena Roy’s family), Directed Harmesh Malhotra. Rajinikanth started his amusement career by playing antagonist and villain places. In his recent workshop, his negative places have included Chitti2.0 (Enthiran,2.0), King Vettaiyan (Chandramukhi), and Kaali (Petta). Starred in the shelved film Shanaakht (1988) Starring Amitabh Bachchan, Rajnikanth Madhuri Dixit, Madhavi, Sujata Mehta, Paresh Rawal, Music by Amar Uptal, Directed by Tinnu Anand. The film was remitted due to numerous parallels with Ganga Jamuna Saraswati. Starred in the remitted movie Choudhary Enterprises”Ghar Ka Bhedi” (1990) Starring Amitabh Bachchan, Madhuri Dixit, Rajnikanth, Produced by Satyen Pal Choudhary, Directed by Prakash Mehra. The film was remitted after the advertisement. Starred in the remitted movie”Raasta Patharon Ka” (1984) Starring Rajnikanth, Produced and Directed by B.Subbash.

Starred in the shelved film Meenakshi Enterprises unidentified film in 1986. Starring Rajesh Khanna (Guest Appearance), Hema Malini, Rajnikanth, Music by Bappi Lahiri, Directed by Bapu. Starred in the shelved movie Ruhi Flicks”Lal Toofan” (1988) Starring Nutan, Jackie Shroff, Rajnikanth, Meenakshi Sheshadri, Suresh Oberoi, Suparna Anand, Raza Murad, Pran, Written by Sachin Bhaumick, Music by Laxmikant Pyarelal, Produced by Hardeep Chitrath, Directed by Subhash Bhakri. After Shiva Ganesan left the film Desh Premee, Rajnikanth was approached. Rajnikanth declined the part as his dates were blocked with other south directors. Plus the part was a small one and Rajnikanth was now playing supereminent places in flicks. Starred in the shelved film Jai Mata Combines”Dil Ka Haal Sune Dilwala” (1991). Starring Akshay Anand, Chandni, Ritu Pande, Shakti Kapoor, Kader Khan, Kiran Kumar, Rajnikanth in a special appearance, Music by Anand Milind, Directed by Ajit Kumar. Starred in the remitted movieB.G.Communucations”Watan Ke Saudagar” (1991) Starring Rajnikanth, Vijayashanti, Shobhana, Radhika, Charan Raj, Paresh Rawal, Saeed Jaffery, Music Amar Amit, Directed byK. Ravi Dutt.

Particular Information Contemplation is the key to his energy. The happiest men in this world are child, lunatic and a savant.

If you want to do a Digital Marketing Course In affordable price in Delhi then you can can click here.

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Why ‘Eternal Sunshine of the Spotless Mind’ left a lasting impact on Balaji Tharaneetharan

Why ‘Eternal Sunshine of the Spotless Mind’ left a lasting impact on Balaji Tharaneetharan

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Filmmaker Balaji Tharaneetharan has been utilising this lockdown to write short stories on his blog, in addition to working on his next script, which is a light-hearted movie. For this week’s Watchlist, he shares a list of movies that left an impact on him

Mullum Malarum (1978)

What is fascinating even today is how balanced the storytelling is and the way Mahendran sir etched his…

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TOP 10 TOLLYWOOD CELEBRITIES WHO PASSED AWAY TRAGICALLY YOUNG!

TOP 10 TOLLYWOOD CELEBRITIES WHO PASSED AWAY TRAGICALLY YOUNG! 10. VIJAY SAI 09. KUNAL 08. YASHO SAGAR 07. PRATHYUSHA06. AARTHI AGARWAL 05. DIVYA BHARATHI 04. SILK SMITHA 03. UDAY KIRAN 02. SOUNDARYA 01. FATAFAT JAYALAXMI.

Teluguswag Top10   

Early development from the evolution of Telugu Film Industry which is also known as Tollywood is the segment of Indian cinema dedicated to the production of motion pictures in the Telugu language,In Tollywood there are many big informative websites about Telugu Films, Telugu movie ratings, Telugu Movie Reviews, Tollywood News, etc In Teluguswag We have different sections on our website which deliver high-quality content to our audience and we promise the most enjoyable experience to our readers.

Top 10  

 Teluguswag is a website that collects uniqueness,timeliness information which is useful and accurate, Top 10 is a section where the audience gets fascinating eye opener Top 10 facts, about Tollywood Celebrities, movies etc. Here are some revelation facts of Tollywood.

 The Telugu film industry is a bundle of talents, and many Tollywood stars attract us through their good looks and performances. But when they die young, it is indeed a saddening aspect. Whatever it is, these stars will always remain in the memory of the fans. Here is a list of Tollywood celebrities who died at a very young age, when they should have been successfully acting in films, or settled in their married life.

Vijay sai who has acted as a great comedian in Tollywood movies like Bommarillu, Ammailu Abbailu, Mantra etc, Vijay tried to achieve success as a comedian in Telugu film Industry. But his talent never got noticed beyond a point. He died due to his personal differences with his wife and her family rather than any disappointment regarding his movie career, Vijay sai Died on 17th December 2017 

Kunal Singh was popularly known as Premikula Roju actor Kunal was born on 29 September 1977 Kunal was introduced in Kathir's 1999 romantic film Premikula Roju, alongside Hindi actress Sonali Bendre, then after he acted in many films but couldn’t take failures in career and life,On 7 February 2008, Kunal was found hanging from the ceiling in his Mumbai apartment.

Yasho Sagar started his acting career in Ullasamga Utsahamga is a 2008 Telugu romantic comedy film, Yasho Sagar's real name was Bharath. He turned Yasho Sagar based on his horoscope and numerological suggestion. He studied at BGS International Bangalore. Yasho Sagar died in a road accident near Sira in Tumukuru district in Karnataka. According to reports, the budding star was returning from Mumbai to Bangalore when the incident took place.He did not leave a long-lasting legacy but his movie will be remembered for its pure entertainment value by many.  

Prathyusha was born on 29 August 1981 Bhuvanagiri, Telangana, India, known for acting in many telugu films.Pratyusha participated in Television Star 2000 Contest and crowned as Miss. Lovely Smile. Her success in the contest paved a way into the film world. Prathyusha has acted in many telugu and tamil films. Prathyusha died on 23 February 2002 after allegedly attempting suicide along with her boyfriend Siddhartha Reddy, reportedly after their family members rejected their marriage proposal. Pratyusha died while undergoing treatment at Care Hospital, while Siddartha recovered after treatment. After her death, her mother started a charity in her name.

Aarthi Agarwal is a famous actress in both Bollywood and Tollywood, Agarwal made her Telugu film debut in Nuvvu Naaku Nachav with actor Venkatesh. She was one of the few non-Telugu speaking actresses to work with noted Indian film stars Chiranjeevi, Nandamuri Balakrishna, Akkineni Nagarjuna, Prabhas, Mahesh Babu, Ravi Teja, and Jr NTR. Agarwal has faced many challenges in life and even attempted sucicied for twice but by overthrow her past she started acting in movies, but because of cardiac arrest On 6 June 2015, Agarwal was pronounced dead on arrival at AtlantiCare Regional Medical Center in Atlantic City, New Jersey.

Divya Bharathi became a huge sensation in early 90’s with her films in Hindi, Telugu. Divya Bharathi played the leading role in the film Bobbili Raja opposite his son Daggubati Venkatesh. She commenced shooting in Andhra Pradesh for her screen debut. The film was released in the summer of 1990 and became a hit. Bobbili Raja remains one of the most popular Telugu movies. Later Bharti had back-to-back hits with action comedy film Rowdy Alludu and drama Assembly Rowdy opposite actors Chiranjeevi and Mohan Babu, respectively.She achieved further success with starring roles in the romance Deewana and gained the Filmfare Award for Best Female Debut Thus Bharathi had a successful career in real and real life but In the late evening hours of 5 April 1993, Bharti fell from the balcony window of her fifth-floor apartment in Tulsi Buildings, Versova, Andheri West (Mumbai).The way she died is still a mystery and many conspiracy theories are still going around. But her beauty and her acting skills will always be remembered forever.

Vijayalakshmi Vadlapatla from a small town near Eluru and Vijayawada road became Silk Smitha in films was born on 2 December 1960, She amazed with her dancing abilities and got the name of ultimate seductress on screen in no time. She appeared in over 450 films in Tamil, Malayalam, Telugu, Kannada and Hindi languages. Her life is full of ups and downs as many men tried to use her fame, money and beauty. On 23 September 1996, she was found dead in her apartment in Chennai, having committed suicide, Smitha contribution towards Industry is really unforgettable. 

Uday Kiran was born on 26 June 1980. Uday Kiran’s acting in Telugu Film Industry his first three films, Chitram, Nuvvu Nenu and Manasantha Nuvve, were successful hits, earning him the title "Hat-trick Hero". In 2001, he won the Filmfare Award for Best Actor - Telugu for the film Nuvvu Nenu. Later on he acted in many films but the movies were went flop and Uday Kiran then being unable to handle the downward spiral and died by suicide on 5 January 2014. Uday’s Death is a huge loss to our Telugu film industry.

Soundarya Sathyanarayana is a famous Indian actress born on 18 July 1976 who worked predominantly in Telugu Cinema along with several Kannada and Tamil films in lead roles. She also starred in a few Malayalam and Hindi films, After Savithri, if we all mourn the loss of an actress dearly, then it is Soundarya. She started her career in Telugu with Rajendrudu Gajendrudu in the ’90s and by 2002, she became one of the most popular actresses in South Indian Cinema.In 2002, she received the National Film Award for Best Feature Film as producer for the Kannada film Dweepa. She has also received three Nandi Awards,two Karnataka State Film Awards for Best Actress and several Filmfare Awards South for her performances in films. Soundarya died in a helicopter crash during an election campaign to support Bharatiya Janata Party while travelling to Karimnagar from Bangalore on 17 April 2004 at 1:30pm. 

Jayalaxmi is a noted actress in Telugu and Tamil films. She acted in many films in Tamil, Telugu, Malayalam and Kannada. Jayalaxmi became a household name with her popular dialogue ‘Fatafat’ in K Balachander’s film Aval Oru Thodar Kathai and popularly became her screen name as Fatafat Jayalakshmi. In Malayalam movies she was known as Supriya. Her notable films include Aval Oru Thodar Kathai, Anthuleni Katha, Aarilirunthu Arubathu Varai and Mullum Malarum. She had co-starred with top actors like Rajinikanth, Kamal Haasan, Krishna, NTR and Chiranjeevi. She was married to the nephew of M. G. Ramachandran. She committed suicide at the age of 22 in 1980

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Every South Indian Tamil Actor Top Rated Movies List According To IMDB | Highest Rated, Tamil Actor with highest rating movies are Soorarai Pottru,Suriya, Nayakan,Kamal Haasan ,Vikram Vedha ,Thuppakki ,Vijay ,Vijay Sethupathi,Vaalee, Ajith Kumar,Pithamagan, Vikram ,Mullum Malarum, Rajinikanth ,Aadukalam ,Dhanush ,Paruthiveeran ,Karthi

[bollywoodupdate-bysejuti]

Every South Indian Tamil Actor Top Rated Movies List According To IMDB | Highest Rated, Tamil Actor with highest rating movies are Soorarai Pottru,Suriya, Nayakan,Kamal Haasan ,Vikram Vedha ,Thuppakki ,Vijay ,Vijay Sethupathi,Vaalee, Ajith Kumar,Pithamagan, Vikram ,Mullum Malarum, Rajinikanth ,Aadukalam ,Dhanush ,Paruthiveeran ,Karthi. #TamilActorTopRatedMovies #SouthIndianTopRatedMovies #TamilTopRatedMovies2021 Today Malisha Jarin will tell you about Every South Indian Tamil Actor Top Rated Movies List According To IMDB Soorarai Pottru action drama film. It stars Suriya. It is partly inspired by events from the life of Simplify Deccan founder G. R. Gopinath.

[timesofmedia]

Dharsha Gupta Photos Download

Dharsha Gupta Photos Download

Dharsha Gupta is an Indian actress and model who mainly works in Tamil TV serials. Dharsha is best known for playing the role of ‘Viji’ in the Tamil TV series, “Mullum Malarum” (2017). Wiki/Biography. Physical Appearance. Family & Caste.